Therefore I received all claims about warp stabilizer being a new steadycam with more than a grain of salt. No matter how good a stabilizer, be it a simple tracking and position/rotation/scale lock or more advanced algorithms like warp stabilizer, if the camera movement is erratic, you will get a variable amount of motion blur, which is often more pain to watch, than original shaky footage. I can’t even start to count how many times have I tried to stabilize shaky footage only to back down considerably due to the motion blur that no stabilizer has yet been able to remove. However, the real killer would be translating it to video. There is a lot of creative potential with this technology as it is. Richard Harrington blogged “It will change everything”, and it surely will. I’m sure it won’t fix every photo, and it will also be having it’s own share of problems, however I don’t think there is anybody who would disagree, that this technology is really revolutionary. I recommend you watch it first, and then read on: You can either scan our page on ProVideo Coalition to see the other free movies we’ve posted over the last couple of years, or check out the Crish Design channel on YouTube.In case you have been living under a rock, and have not yet seen the recent Adobe presentation on image deblurring, here is the video. They’ve retired this course from their library, so we’re making the movies from it available publicly for free. These movies were previously appeared on /LinkedIn Learning. In this movie, we refresh your memory on how to use Auto-Delete Points Across Time, and then demonstrate the new Set Ground Plane and Origin feature, discussion when and where it comes in handy. This movie shows you how to spot glitches in stabilization of this type of footage, and how to correct Warp Stabilizer VFX’s motion.īonus Movie: 3D Camera Tracker – Ground PlaneĪdobe refined the 3D Camera Tracker effect in the initial Creative Cloud release of After Effects. One type of movement that can throw off Warp Stabilizer is when you are walking through a scene, rather than just panning or holding a camera in an unstable fashion. You can also use Warp Stabilizer VFX as a tracker, and apply that motion to another layer. Those steps (as well as a few other real world workflow tips) are shown here. To do that, you need to remove any motion in the scene, add your new feature, and then add the original camera move to that new feature. You can use Warp Stabilizer to add a new feature into a scene. Here’s how to see the points Warp Stabilizer has found, and choose ones to delete. However, sometimes it latches onto “track points” that are moving in relation to the rest of the scene, and which therefore may throw off the track. Warp Stabilizer automatically scans your footage to find features it feels will help it track and reconstruct the original camera move. (And since we’ve mentioned the 3D Camera Tracker, we’ll throw in a bonus movie at the end that shows a tweak to that effect.) Show & Delete Track Points We’ll cover those features and applications here. In the first version of After Effects Creative Cloud, Adobe took some of the technology featured in their 3D Camera Tracker plug-in (covered in this post), and used it to expand Warp Stabilizer to be more useful for visual effects work. This tool automatically scans footage looking for edges and “planes” such as the walls of buildings or other features, and re-renders the footage with a smoother camera move imposed upon it. Back in August, we covered the Warp Stabilizer plug-in in After Effects (which is also now included in Premiere Pro).
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